Interview
with Apollyon of Aura Noir 2012
By
Bradley Smith
Your new album Out To Die is getting
ready to burn the
streets. How can you compare it to your
previous efforts? To me it sounds like a
fuller album, perhaps due to the full participation from all members.
And how does it feel to have Aggressor back
fully in the fold since his 2005 accident?
I
still haven’t
listened to the whole album. Waiting
for
the vinyl to appear. However
I went and
picked up the cd’s the other day and checked out a couple of songs in
my car. I think it
sounds pretty fucking ok. I mean, with
your own products you tend to look for negative stuff but I’ll shut up
about
it.
It’s
always great
to play music with Aggressor.
You
and Aggressor have different styles to writing
songs. How does
your approach compare to
his? And in the end
what sort of
personality do you each put on the song?
I think I read somewhere that you think his songs are more
“intelligent.” So
in the end how do you
feel that your song affect the listener compared to his songs?
True,
I’m less
intelligent..haha. I
don’t know, I think
the best way to describe what I mean is to compare Exodus’ riffs with
Voivod’s. It’s a
different style of playing and the
exodus way is more traditional when it comes to metal..I often think
that his
songs last longer than mine but with a little work I guess it’s
possible to
make quality metal with both approaches.
I
think my songs
might be affecting the primitive side of the listener more, like the
urge to
push people over when you listen to it loudly while walking through a
busy
train station. Aggressor’s
stuff has the
same effect, but typically I don’t understand how awesome it is until
I’ve
listened to it a couple of times..and it never stops growing on me. Never.
On
a similar note, You and Aggressor use differing
approaches to writing lyrics. You
write
them after the song is finished and he writes them before the song is
written. Which
method do you think is
better and why? Does
your method leave
you open to the flow of the music while his leaves him unconstrained by
the
confines of song structure?
There
are three
ways of doing it and we’ve done all of them but we never sat down and
analyzed
what works best. In
a way, to write
music and lyrics separately, and try out which song fits what lyrics
better is
the coolest, though it can be tricky to make them fit the music as they
originally appeared. For
instance I
tried Fenriz’ “Withheld”-lyrics on 3 different songs before I decided
which one
gave the best result.
Letting
the music
inspire you to write lyrics is maybe more like adding another
instrument to the
song. You just have to make sure not to make it sound too perfect and
planned
or it will end up sounding like pop music.
On
the track
“fighting for hell” on “Black thrash attack ”I had the lyrics in front
of me(or
in my head) while making the song.
Bottom
line is
that, in my experience all ways work but you always have to compromise
in one
way or another, altering parts of the lyrics or parts of the song. The trick is to do it at
an early stage, to
give it time to set. Then
you will
eventually find out whether it works for that song or not.
Aura
Noir was
chosen, along with Devil and Nekromantheon, to perform at the final gig
at Elm
Street. How did it
feel to be selected
to close down such a landmark of the Oslo scene and what did Elm Street
mean to
you? How was the
performance?
It
was actually
Stian from Devil’s birthday and he had made a deal with the owner to
have that
as the last metal night on elm street.
The
last gig was a couple of days later on new years eve, where the boogie
rock
legends “Back street girls” performed their entire “party on elm
street”-album(from where the club had gotten their name+logo).
Anyway
it was a
cool thing to do. I’ve
worked there
myself for 7 years up until 2006 and we played our first shows there
with Aura
Noir. Loads of the
old crowd were
present. Wasn’t
anything serious though. We
were more intoxicated than usual and it
was just me aggressor and tank playing 5-6 songs(first “show” without
blasphemer)It
was more of a night to be social and nostalgic, rather than trying to
be
serious musicians. Hence
the low ticket
price.
Another important gig that Aura Noir
performed at was Live
Evil 2. What does it mean to headline a
concert of Fenriz recommended bands and what was this experience like?
Any special memories from this festival?
Live
evil is a
great event. We’ve
always shared taste
in music of all genres so obviously all bands on the bill are
interesting to me
in one way or another. Great
atmosphere
too. I will
definitely return there.
We
hadn’t had the opportunity
to rehearse at all prior to the festival, apart from a couple of songs
on the
soundcheck, so I guess we were slightly nervous.
Went fine though.
Two
tracks from Out To Die were leaked early and posted on
youtube without your authorization.
How
did this happen and how does that make you feel?
Do you consider this a betrayal of your
artistic endeavor?
Our
last days in
studio were extremely hectic because of a deadline the record company
had set
for us. Also our
budget isn’t huge so we
were just pissed off about not being able to spend one week extra on
something
we had been spending 3 years making.
The
first master sounded horribly “nice” in our ears with 2 days left
before we had
to deliver the finished product. I
sent
it back to the mastering studio with the order to “destroy” it..make it
sound
like “deep tracts of hell”, where all frequencies are tweaking and
everything
sounds distorted. So
he did, and it
sounded much better but some of the low frequencies were ridiculously
loud
making it almost impossible to listen to.
Then a final master that sounded somewhere in between was
made, without
us being present, and sent away for printing.
This last version I didn’t even have the chance to listen
to because I
had business in London..and then ..less than a week later a friend of
mine
tells me the album is online......of course I was furious. I was already up to my
neck with everything
that had to do with mixing, mastering and silly deadlines, and then I
heard
that what had happened was that our label had sent the link for
downloading the
final master to some “key” magazines...3 months before the release!
There
was just so
much disrespect involved that I have no words.
I
know that the
album is online now because all the cd’s have been shipped away to the
stores, and
that doesn’t really bother me. What
bothers me is that, at the end of the day it’s our work and our cv’s
and
reputation that’s on the line and it’s extremely frustrating to be
surrounded
by people who care only about the business part, and “key” journalists
who are
as trustable and loyal as anyone who writes for “the sun”. Why the fuck should they
receive my album 3
months before everyone else?
Beats
me, but I
guess this is how true the people who run this business are.
Aura Noir is titled “the ugliest band
in the world.” How does Aura Noir qualify as the ugliest
band in the world? I mean what makes a
band ugly? Is it being physically
unattractive or having repulsive music?
And what other bands do you consider really ugly?
It’s
a combination
of the way we appear and the way we perform our music plus the way we
want to
sound. Venom are
pretty ugly. Early
Sodom too. Deathhammer
from Norway. Darkness
descends by Dark Angel has tons of
ugly non-hummable monotonous riffs on it.
Last year you finally did a US tour.
How was the tour and what was your impression
of the country? Did you get to see
anything interesting during your journey?
Yeah,
finally. We’ve all
been touring there before though, on
different levels, so I guess we were prepared of what to expect for
better or
worse. I thought it
went great. Loads
of dedicated people, and with few
exceptions we got to play surprisingly cool venues.
We have a love/hate relationship to the
states. It’s fucking annoying with all the preparations and endless
lines in
embassies to get your work visas in beforehand and immigration at the
airport. Costs a
lot of money and patience. And you
have to do this every fucking year, you know.
But the crowd is very pleasing and make us feel home in a
way. Just hope we
can come back and play more
cities.
I
always like to
go around and experience stuff wherever I play, be it hanging out with
locals
drinking in a park or checking out typical tourist sights. Hotel rooms and tour buses
look the same
everywhere and are not very inspiring.
With
every member of the band being involved in other
musical projects do you ever feel like you near a sense of burnout? What rituals or exercises
do you do to
prevent that sort of mental breakdown?
Not
really but I
see what you mean. The
trick is to not
overdo things and always be hungry for more music and interested. It’s easy to hear that bands
tend to lose
their hunger after the first three or so albums, and get more into the
business
side of things and loose contact with the underground.
We’re trying to avoid that from happening by
being ourselves and never growing up.
We’re
also as broke and miserable as a typical teenager, which probably
helps..
I know that Anders Breivik, the man
behind the Oslo bombing
and subsequent massacre on the Island of Utoya was recently indicted on
Terror
charges and will undergo psychiatric evaluation. Is Norway
still obsessed with daily
developments in this case and what are your thoughts on his actions?
Do you remember what you were doing the day
of the attack and did you follow the events as they unfolded or did you
not
care?
Yes,
they are
obviously obsessed with it still, and it’s ridiculous in a way how much
money
they are spending to keep this guy safe from the rest of the country
and fellow
prisoners. They are
setting up new
buildings because of him. The
easiest
would of course have been to put him in a cell with the others and he
would
probably have been dead by now. The
biggest punishment they’ve given him so far is probably on a psychic
level, because
he’s been spending most of the time in total isolation+the fact that
they’re
not letting him fulfill his manifest by spreading his propaganda in the
courtroom or to the media.
I
was never very
impressed by neo Nazis, or fascist in general.
He's also a world of warcraft addicted Christian on
steroids which is
equally pathetic.
I'm
fascinated
like everyone else is,but not impressed at all and disgusted by the
look of
him.
I
have spent the
last 6 years in a house in a remote mountain valley some 5 hours north
of Oslo.
His hideout, where he made all his preparations was a couple of hours
further
south. I was
literally passing that
house on my way home from Oslo as the news broke.
My first thought was funnily enough Burzum. He was even very quick to
release a
statement, as was the case after he’d killed Euronymous. And this Anders Breivik
dude seemed disturbed
and stupid enough to be manipulated by someone as persuasive as
Christian
Vikernes. So he is
described anyway, I’m
sure he doesn’t mind.
I’m
still kind of
disappointed he had nothing to do with it.
I would think it was right up his national socialist alley
to perform a
stunt like that. Alot
of Breivik’s views
are pretty fucked up though and probably differ from
Christian’s....like the
fact that he’s Christian..but that could just as well have been a well
planned
scheme innit!
But
I guess he was
really just hearing voices in his and that I’ve mistaken the other
gentleman, assuming
he was still on a violent rampage to conquer the world.
Another
thing, I
couldn’t help but overhearing two women next to me on an airplane who
were
talking loudly about their gay friend who was in shock cause he’d had
sex with
Breivik a month before the actions took place.
I wasn’t surprised at all when I heard.
Just disappointed. Why
is it
always the gay community? Can
it never
be a sane, healthy überhetero Clint Eastwood kind of guy with no excuse
or
sorry background?
The
media aren’t
even writing about his sexuality, even if I got it confirmed that
they’re fully
aware of it. See no
reason why they
shouldn’t though..
Either
way the
case just gets less interesting and the guy is seriously pathetic. No charm at all. Everything is just wrong
with him.
So what are your upcoming plans for
Aura Noir? How did your record release concert go and
how did you set that up? What other
ideas are you following to promote Out To Die?
Any other work you are doing with your other projects?
We
haven’t really
done any release shows yet. We’re
gonna
play a couple of club shows here and there in Europe, a mini uk-ireland
tour+some festivals. Then
hopefully the
states after summer..other parts of the world would be great too, but
no plans
yet.
Thanks again for the interview, with
your final words can
you tell us what unseen things are remembered?
Stay ugly and thrash hard!
Only
Aggressor
knows! Likewise!